摘要
本文旨在探析从普希金的《高加索的俘虏》到马卡宁的《高加索俘虏》系列作品中的高加索文学中的"俘虏"肖像。高加索从爱情与自由的圣地走向真实与平凡,蜕变为湮灭肉体与灵魂的战场和俘虏们无法逃逸的牢笼,却依旧是游离于俄罗斯主流社会之外的"文化浪子"。
This paper aims at exploring the literary image of Caucasus in the series of works from Pushkin＇ s The Prisoner of the Caucasus to Vladimir Makanin＇ s The Prisoner from the Caucasus.Turning from a holy land of love and freedom to a place of reality and banality, and decayed into a battlefield in which bodies and spirits annihilate and a cage from which prisoners can never escape, Caucasus is still a ＂cultural tramp＂ that drifts away from the mainstream of the Russian society.
出处
《俄罗斯文艺》
CSSCI
北大核心
2014年第4期24-31,共8页
Russian Literature & Arts
基金
2013年国家社科基金重大项目"当代俄罗斯文艺形势与未来研究发展"(项目编号:13&ZD126)的阶段性研究成果
