巴赫金思想内核对音乐符号学的解读和启示

The Application and Implication of Bakhtin's Theory to Musical Semiotics

音乐符号学根植于北美和欧洲普通符号学的土壤中,大致可以分为结构主义学派和语义学派。这两个学派各自有其局限性,巴赫金的理论体系在一定程度上弥补了它们的不足。本文立足于音乐符号意义的探求,旨在搭建沟通巴赫金学术思想与音乐符号的桥梁,分析巴氏理论对音乐符号的解读,并提出其对音乐符号学未来研究的启示作用。

Musical semiotics is rooted in the general semiotics of North-American branch and European branch. To some extent, Bakhtin＇ s theory is complementary to the structuralist and semantic approaches to music. In order to investigate musical sign＇ s meaning, this paper aims at establishing a bridge gapping Bakhtin＇ s theory and musical semiotics. It analyzes Bakhtinian thought＇ s application to the interpretation of musical signs, and proposes the implications of his theory for future research.