摘要
从晚清时期中国外交使节所感知的芭蕾舞的视觉奇观到20世纪上半叶伴随着俄侨足迹所至,部分芭蕾舞演出和教学活动在中国大地的展开,芭蕾这一舶来艺术形式开始最初进入中国公众的视线。本文立足近代相关史料的挖掘、梳理和考订,选取俄侨芭蕾在中国三座典型城市的传播为案例分析对象,结合俄侨在这些城市流布的规律和特点,点面结合,以点带面,以期全景式展现俄侨芭蕾艺术在中国近代社会的传播。
From the visual spectacle which was perceived by the diplomatic envoys in China during the late Qing Dynasty to the ballet performances and teaching activities which were developed in China with the coming of the Russian expatriates in the first half of the 20th century, the foreign art of ballet began to firstly draw the attention of the Chinese public. Based on the mining, sorting and textual research of relevant historical materials in modern China, this paper selects the spread of the Russia expatriate ballets in three typical cities in China as the case study object, and examines the regularity and characteristics of spread and distribution of the Russia expatriates in these cities, with the hope of panoramically revealing the spread of the Russia expatriate ballet in the society of modern China.
出处
《俄罗斯文艺》
CSSCI
北大核心
2014年第4期153-157,共5页
Russian Literature & Arts
基金
教育部人文社会科学一般项目(青年项目)"民国都市舞蹈活动研究:以上海为例"(编号:11YJC760019)的阶段性成果
湖南省社科基金一般项目"黎派音乐歌舞美学思想研究"(编号:11YBA239)的资助
关键词
俄侨芭蕾
中国近代
芭蕾艺术
传播
Russian expatriate ballets
modern China
ballet art
spread