“隧道效应”与郝思嘉的三次婚姻

“Tunnel Effect”and the Three Marriages of Scarlett O'Hara

"隧道效应"是艺术创作的重要理论,它借火车穿越山洞时人们的所见和所感来阐释"整体性"原则,对于理解艺术作品中"虚"和"实"的关系大有裨益。小说《飘》是美国女作家玛格丽特·米切尔的经典之作,作品一经出版即风靡全球,而其中的女主角郝思嘉的形象更是深入人心。将"隧道效应"应用于分析米切尔在描写郝思嘉的三次婚姻时对材料所作的"虚""实"处理,可以更好地洞悉小说的魅力之源和节奏之美。

＂Tunnel Effect＂,being an important theory in artistic creation and of great benefit to our understanding of the ＂Shadow＂and ＂Light＂in artistic works,explains the ＂Totality＂principle by borrowing what people see and what they feel when a train goes through a cave. The novel Gone with the Wind is the masterpiece of the female American writer Margaret Mitchell,Which has enjoyed world-wide popularity upon its publication,and its heroine Scarlett O＇ Hara has become an unforgettable character. By applying the＂Tunnel Effect＂to analyze Mitchell＇s way of handling the ＂Shadow＂and ＂Light＂when describing Scarlett＇s three marriages,we can have deeper insights concerning the novel＇s source of charm and beauty of rhythm.