“在场”:专业戏剧批评发挥效力的途径

In the Presence:the Effective Approaches for Professional Criticism

近年来,专业戏剧批评越来越成为学院派的内部话语符号,淡出了大众接受视野。批评时机、专业习惯、批评对象特征、自我身份定位、接受对象兴趣、发表阵地等因素是导致这种现状出现的重要原因。活跃在大众视野中的媒体批评和网络批评,也并非全无问题:媒体批评常常受限于市场,专业批评有时会与之形成共谋;网络批评最有活力,但存在零散化、碎片化、"恶趣化"弊端,且易被市场利用。为此,戏剧研究者需承担起知识分子的责任,借助媒体网络平台,进行"在场"——既在演出现场也在批评现场、既面向当下也面向大众的专业批评。这是专业戏剧批评影响大众审美趣味的有效途径。

Recently,the occasions for criticism,the stereotypes and the self identity for critics,the features of the criticized,the preferences of the readers and audiences and the media for publication have been changed greatly,professional criticism on drama turns to be an interior discourse symbols among academic experts,and is gradually out of the reception of the public.But,there are some problems in the popular media critical articles from the public traditional media and internet,which are restricted by the market-orientation,fragmental writing and even mischievous distortion.Thus,professionals from the field of theater studies should take the intellectual＇s duty to be in the presence of creation and criticism,which is an effective approach for the professionals to lead the aesthetic taste of the public.