摘要
虽然论桐城派的诗学,多以姚鼐为职志,但桐城诗学的旗帜却是由身历康熙、雍正、乾隆三朝的方世举、方贞观从兄弟打出的,两人论诗主张和艺术趣味相去甚远,但都在某些方面体现了桐城派诗学的专业水准以及重传承和教授的特点,从侄方观承相与商讨,亦收教学相长之效。三人的诗论不仅奠定了桐城诗学的基础,更对姚鼐以后的桐城诗学产生了深远的影响。
Although Yao Nai is viewed as the representative of Tongcheng poetics,the publicity of Tongcheng poetics is caused by the two brothers:Fang Shiju and Fang Zhenguan during Kangxi,Yongzheng and Qianlong periods.They differ greatly from each other in poetic theories and tastes,but they both embody professional standards of Tongcheng poetics and emphasis on heritage and teaching,for example,they consulted with their nephew Fang Guangcheng,which benefited both the teacher and the student.The three people's poetics not only lay the foundation for Tongcheng poetics,but also has a far-reaching impact on Yao Nai and subsequent Tongcheng Poetics.
出处
《安徽师范大学学报(社会科学版)》
CSSCI
北大核心
2014年第6期689-696,共8页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
基金
国家社会科学基金项目(12BZW051)
关键词
桐城诗学
方世举
方贞观
方观承
Tongcheng poetics
Fang Shiju
Fang Zhenguan
Fang Gauancheng