陌生化视阈下的元散曲

The Discussion of Yuan Sanqu from the Perspective of Defamiliarization

19世纪初提出的"陌生化"理论本为诗学命题,后经俄国形式主义文论者什克洛夫斯基和德国剧作家布莱希特的发展成为西方美学中的重要概念。"陌生化"的要义在于通过艺术手法使得审美主体在审美过程中获得新鲜陌生的奇异感受。用"陌生化"理论看待元散曲,近千年前的诗歌无论从叙述角度,人物形象还是意象表现方面都清晰地展现出"陌生化"特征。

The theory of “defamiliarization” proposed in the 19th century was a poetic concept originally, which was developed to be an essential concept in western aesthetics by Russian formalists Shklovsky and German dramatist Brecht. The essence of “defamiliarization” is to enable aesthetic body to acquire fresh and strange experience in the aesthetic process through aesthetic methods. To examine Yuan Sanqu from the perspective of “defamiliarization”, the poems of nearly one thousand years ago display sharply traits of the theory whether in narrative perspective, characters or images.