摘要
莫言从"民间"的角度,以一个老百姓的身份去反观民间世界,用民间的口吻叙述他对"高密东北乡"的情感体验。"老百姓"式的写作立场,民间语言与民间艺术的糅和,兼之天马行空般的夸张想像,使读者忘情于莫言笔下的"高密东北乡"中,并在艺术体验中发现自己与民间的血肉联系。
Mo Yan uses the folk tone to write about his emotional experience of “the northeast township of Gao Mi”from the perspective of “folk”to a people’s identity in the folk world. Mo Yan makes readers forget themselves in Mo Yan’s “the Northeast Township of Gao Mi”, find their flesh and blood ties with the folk in the experience of art through the reflections of the folk art and folk language and the imagination of exaggeration in the “Ordinary people” writing position.
出处
《韶关学院学报》
2014年第9期38-42,共5页
Journal of Shaoguan University
基金
信阳师范学院大学生科研基金项目"作家应该为谁写作--鲁迅
莫言文学创作态度及其价值研究"(2013-DXSZD-02)
关键词
莫言
民间立场
民间体验
民间艺术
Mo Yan
the folk position
the folk experience
the folk art