“民族性”与“创新性”的融合——肖斯塔科维奇赋格曲的创作特征

On the Fusion of “National Characters” and “Innovativeness”:Creative Features of Shostakovich's Fugues

肖斯塔科维奇的《二十四首前奏曲与赋格》被誉为"二十世纪的平均律钢琴曲集"。这二十四首赋格曲,从音乐形象的民族特征、调性思维以及调性布局等方面体现了肖斯塔科维奇赋格曲的主要创作特征。肖斯塔科维奇个性化的处理给赋格这一古老的复调形式注入了新的时代内容,并使之水乳交融般地结合在一起,充分体现了作曲家极大的创造能力。

Shostakovich’s Twenty-four Preludes and Fugues is praised as “The Well-tempered Clavier” in the 20th century. This paper attempts to sum up the chief creative features of his fugues, with 24 of them as the studying object and a deep analysis of them from aspects of their national characters, tonal thinking, and tonality layout etc. His individualized treatment has shown the creative ability of composers by pouring the new era spirits into the fugue as an ancient polyphonic form and combining each other closely with a perfect harmony.