肖邦《g小调叙事曲》创作技法的历史继承与创新

Historical Inheritance and Creation of The Composing Techniques in Frédéric Chopin' s g Minor Ballades

肖邦的作品以独特的魅力受到作曲家、演奏家及音乐学家的喜爱与重视。在他众多的音乐创作中,四首钢琴叙事曲无疑占有重要地位和影响,特别是第一首叙事曲——《g小调叙事曲》,更是以深刻的爱国情感和完美的音乐形式受到普遍欢迎。肖邦的《g小调叙事曲》,在音乐材料的组织上继承与发展了贝多芬《悲怆奏鸣曲》第一乐章的成功创作经验,沿用了传统的主题—动机贯穿发展法;在主题材料的贯穿、曲式结构的连贯发展、作品调性布局及和声安排方面继承了舒伯特音乐体裁特性和创作技法。肖邦在继承贝多芬和舒伯特的同时,又为其理论注入了新鲜血液,使主题—动机在结构力、音乐形象塑造方面都具有独特性。

Frederic Chopin＇s works appeal to many composers, players and musicians for its unique charm, Of many of his music works, four narrative piano ballades undoubtedly occupy an important position and exercise a great in- fluence, especially, g Minor Ballades, the first one, for its patriotic feelings and perfect musical form. Chopin＇s g Minor Ballades inherit and develop Beethoven＇s successful creative experience of the first movement of the Sonata Pathetique in organizing musical materials, uses the traditional theme-motive stringing development method. Mean- while, it inherits the musical genre features and the composing techniques of Schubert in running through the theme material, stringing development musical structure, the musical tonality layout and harmony arrangement. While in- heriting Beethoven＇s and Schubert＇s genre and techniques, Chopin also injects fresh blood into their theories, make them possess peculiarity in structural Dower and musical image-building in its theme-motive.