摘要
诗化美学是聊斋美学的艺术境界和人生境界,抑或诗化艺术和诗化人生是聊斋美学的灵魂。蒲松龄的《聊斋志异》是"孤愤"凝聚之作,"块垒"释放之作,而诗化艺术和诗化人生就成了作者释放"块垒"的空灵而敞亮的阳光通道。有言曰:诗美是聊斋世界的灵魂。当作者的"孤愤"与"块垒"与个体的人的苦难乃至与人类的苦难发生共鸣的时候,于是作者的"孤愤"与"块垒"就会以艺术的形式上演人间的悲喜剧。"孤愤"、"块垒"、"苦难"就构成了艺术景观,诗化创作与诗意栖居将成为可能。
the poetic aesthetics is all aesthetic realm of life and art,or poetic art and poetic life is drama aesthetic soul. Pu Songling's "Strange tales from Liaozhai"is"ndignation"aggregation"block",release,and poetic art and poetic life became thedepression release ethereal and bright sunshine channel. Words: the beauty of poetry is all the soul of the world. When the author of"indignation" and "block"and the individual suffering and even human suffering occurs resonance,and the author of indignation and "block"will be in the form of art and human tragicomedy staged. "Indignation", "block", "suffering"is the art of landscape,will be possible poetic creation and poetic dwelling.
出处
《蒲松龄研究》
2014年第3期5-13,共9页
Study on Pu Songling