魏晋南北朝时期“诗论”发展轨迹

On the Development Trajectory of “Poetry Theory” in the Wei,Jin,and Northern and Southern Dynasties

"诗缘情"与"诗言志"是我国古代文论中一对重要的范畴,魏晋之前文论家评论诗歌以"诗言志"为主,在"文学自觉时代"的魏晋南北朝时期提出了"诗缘情"范畴。魏晋南北朝时期的文论家把诗歌的"美"回归到了文学本身,从曹丕的"诗赋欲丽"与"文以气为主",陆机的"诗缘情而绮靡",发展至革新派萧纲的支持和复古派裴子野的误解,最终在诗论集大成者刘勰这里把"诗缘情"与"诗言志"得到了合理的统一。

In the Chinese Classical Literary Theory, there are two major categories：one is“Poetry Orig-inating from Emotion”, the other is“Poetry Expressing one’s Will”. Before the Wei and Jin dynasties, liter-ary critics commented poems mainly as“Poetry Expressing one’s Will”. In the era of consciousness of litera-ture, the Wei, Jin, and the Northern and Southern Dynasties proposed the category of “Poetry Originating from Emotion”. In the Wei, Jin, and Northern and Southern Dynasties, literary critics regarded the poem’s“Beauty” as the literature itself, from the poet Cao Pi’s“Elegance Seeking in Poetry” and“The Quality of an Article Depending on its Style” to the poet Lu Ji’s “The Poetic Beauty Rooted in Feeling”. Thus devel-oped to the renovator Xiao Gang’s support and the misunderstanding by Pei Ziye who held back-to-the an-cients liners. Finally, the poetic beauty was made by Liu Xie, the master poetry critic, into “Poetry Origi-nating from Emotion”and“Poetry Expressing one’s Will”, Which made the poetry into a reasonable unity.