屈、柳“骚怨”意象差异及其成因蠡测

Quest for the Image Difference and Reason for the Formation of Qu Yuan and Liu Zongyuan's “Resentment”

审美意象是作家精神的符号和标志。屈原与柳宗元"骚怨"意象的主要差异,一是意象选择从神奇瑰丽转向世俗怪异,二是意象表达由连类比兴变为整体象征和寓言,三是意象关系由主客融合转向部分反常乖离。造成这种差异的客体原因主要是时代、环境和风俗的变化以及历史审美风尚的变迁;而主体原因则主要是屈、柳神秘思维与理性思维的不同建构。透过两者的差异及其成因,可以更好地把握屈、柳"骚怨"精神的个性特点。

Aesthetic image is a symbol of writer’s spirit. The differences in Qu Yuan and Liu Zongyuan’s“Resentment” images include： the choice of image is turned from magnificent to secular weird; the expression of image is turned from metaphor and analogy to a whole symbol and allegory, the relationship between images turned from subjective and objective fusion to anomalous deviation. The objective reasons are mainly the change of era, environment and custom and vary of aesthetic tide of history. The subjective reason lies in the differences in constitution of Qu Yuan and Liu Zongyuan’s mysterious and rational thinking. Through analyzing the differences and reasons, the personalities of Qu Yuan and Liu Zongyuan’s“Resentment”can be understood better.