谈李安东方电影中“叛逆”的女性形象

An Analysis of “the Rebel” Women in Ang Lee's Oriental Films

李安作为华人电影界的翘楚,站在东西方文化交汇的中心,诉说着他的电影梦。文章从李安多元文化创作背景和后殖民主义影响角度出发,观照和审视他创作的东方电影中那些"叛逆"的新女性形象。以《饮食男女》《卧虎藏龙》为例,分析影片中东方女性角色身份、社会地位及性格在全球化和现代性语境中的嬗变。李安正是在东方传统儒释道文化和西方现代女性解放的双重审美文化矛盾冲突碰撞中,凸显了东方新女性的精神追求和独立品格。这也为我们认识现代社会中的东方女性打开了一扇天窗。

Ang Lee, an outstanding person of Chinese filmdom, narrates his film dream at the center of eastern and western cultures. This article examines the rebellious characters of new women created by Lee according to his multicultural creation background and the influence of post-colonialism. Taking Eat Drink Man Woman and Crouching Tiger, Hidden Dragon for example, the author analyzes the change of oriental women＇s identity, social status and character under the circumstance of globalization and modern language environment.Ang Lee highlights the spiritual pursuit and independent character of new oriental women in the conflict of double aesthetic culture between traditional Confucianism, Buddhism and Taoism and western modern women＇s liberation, which give us a whole new perspective on cognizing oriental women.