创作中介与审美体验——20世纪80年代中国现代建筑关于继承园林传统的探索

Intermediary for Creation and Aesthetic Experience:Searching for a Modern Architecture Inheriting the Tradition of Chinese Garden in 1980s

改革开放初期,中国园林被理想化为传统与现代的"结合点"获得广泛认同。本文致力于梳理和阐明这一转变的思想背景,着重论述围绕"园林"主题展开的三个本土实践案例——现代岭南庭园建筑、"亭的继承"和松江方塔园,分别以"模式"、"片断"和"移情"三个概念来揭示其不同的设计策略,指出这些策略背后所隐含的"创作中介"与"审美体验"这两种对待传统的不同态度,并以此为基础对王澍的"造园建筑学"展开初步探讨。

Since the Reform and Opening- up, garden was identified as a ＂bonding point＂ of the modern and the tradition of Chinese architecture. This paper devotes to historicizing this context, and discussing three relevant case studies in 1980s： the modern Lingnan garden architecture, the garden pavilions by Zhong Huanan and the Songjiang Fangta Garden, respectively using keywords ＂model＂, ＂fragment＂ and ＂sympathy＂ to reveal their differences concerning design strategies, pointing out that they can also be categorized into two distinct attitudes towards tradition： ＂intermediary for creation＂ and ＂aesthetic experience＂, based on which an ＂Architecture of Garden＂ proposed by architect WANG Shu is further discussed.