摘要
"静"作为中国古典美学范畴之一,经历长期的历史嬗变,为中国历代文学学者广泛使用,在诗话、评点、画论等中国艺术哲学文学批评领域中频繁出现。古典美学领域中的"静",超越外部表现形式看似静止的主体情态,返照主体精神世界,寄寓人类千百年来对于真、善、美的永恒追求。
As one of the Chinese classical aesthetics categories, quiescence has constantly evolved and has long been favored by ancient Chinese scholars and artists, who brought it to a full play in traditional areas of arts, such as poetry, calligraphy and painting. In the field of Chinese classical aesthetics, quiescence refers more to the subject's spirituality than his appearance of stillness, embodying the human's eternal pursuit for truth, kindness and beauty.
出处
《广州广播电视大学学报》
2014年第5期55-59,109,共5页
Journal of Guangzhou Open University
关键词
静范畴
超越性
审美追求
category of quiescence
transcendentality
aesthetic pursuit
