摘要
元、明、清的画作中多是以文人画为主的因袭守旧的传统八股式的山水画,消极的山水画与自然相分离,形成山水画家辗转模仿千人一面的局面。新时代的山水画与时代生活息息相通。山水画应在继承传统的基础上沿着现实主义的思路进行创新发展。
The paintings of Yuan,Ming and Qing Dynasty are mostly conventionally conservative Chinese landscape paintings,passive landscape paintings separate from nature,forming unanimity through imitation of each other.The landscape paintings of new era closely relate to life,which should develop creatively on the basis of inheriting tradition with realism.
出处
《安徽工业大学学报(社会科学版)》
2014年第4期34-35,共2页
Journal of Anhui University of Technology:Social Sciences
关键词
中国
山水画
现实主义
传承
发展
Chinese
landscape painting
realism
inheritance
innovation