摘要
梅赋最早出现在南朝,但直到宋代才发展起来,并形成了自己的基本特色:在内涵上,以梅花、梅子和枝条为表现对象,关注新品种,同时往往借梅以抒发作者的情志;在艺术上,骈赋与骚体赋并重,广泛使用比拟手法,有些作品有一定的故事性。梅赋在宋代的快速发展,既是宋代梅文化高度发展的结果,也是当时咏梅文学繁荣的影响,同时与作者自身的地位和志趣也有很大的关系。
Fu on plum first appeared in the Southern dynasty,and developed until the Song dynasty and shaped its basic characteristics. Intentionally,plum blossom,fruit and branches,as well as new plum species,are the objects for expression in the Fu works. Meanwhile,writers always express their feelings with plum. Artistically,both parallel- style Fu and Sao- style Fu are stressed. Analogy is widely used. Some Fu is storytelling. The rapid rise of Fu on plum results not only from the development of plum culture,but also from the flourishment of plum literature. Besides,the position and interest of the writers are important.
出处
《辽东学院学报(社会科学版)》
2014年第6期20-27,共8页
Journal of Liaodong University:Social Science Edition
关键词
梅赋
宋代
内涵
艺术
Fu on plum
Song dynasty
intension
art