王世贞与项元汴:明代中后期两种不同类型的书画鉴藏家——兼论二者交游疏离之原因

Wang Shizhen and Xiang Yuanbian, Ming Collectors and Connoisseurs of Chinese Traditional Calligraphy and Painting——Concurrently on The Causes for Their Departure from Each Other

本文通过对明代中后期江南地区重要的书画鉴藏家——太仓王世贞与嘉兴项元汴在鉴藏观念、鉴藏趣向、鉴藏方式、鉴藏诉求等方面差异性的比较分析,以及两人之间耐人寻味的关系疏离原因的探讨,试图细致深入地展现当时缙绅学者型与士绅商贾型两种不同类型的书画鉴藏家在鉴藏活动上的特点和成就,揭示两人关系疏离背后所反映的明代中后期社会环境因素与风尚,以及所表现出的文化精英阶层书画鉴藏家与具有良好教育的富商巨贾书画鉴藏家在地方文化资源与文化权力上的竞争与对抗。

There is an overall analysis of Wang Shizhen born in Taicang county and Xiang Yuanbian in Jiaxing county of Jiangnan area who both were Ming collectors and connoisseurs of Chinese traditional calligraphy and painting in respects of their aesthetic and taste of appreciation, approaches to judgment on the works of art as well as the causes leading to their departing from each other and so on in this thesis, by which it intends to uncover the different aesthetics and the attainments they reached between the scholar official connoisseurs and gentle merchant connoisseurs of that time, the social context under which they parted from each other, the competition and conflicts for local cultural resources and powers between the intellectual and Confucianist businessman collectors and connoisseurs of Chinese traditional calligraphy and painting in mid-late Ming dynasty.