摘要
张爱玲的文艺观是感性的、以个人为本位的,注重人生安稳、真实的一面,与当时倾向于政权、革命和人生飞扬的主流文学理论形成对照,并对后者给予弥补,在20世纪40年代的上海孤岛是个独特的存在,对中国文学批评史做出了不可泯灭的贡献。
From Chang Eileen view of literature and art, the emotional, individual, peaceful and real life in emphasized. It is in contrast to the mainstream literature theory which tends to the political, revolutionary and floating life. Shanghai in the 1940s is unique, having made a great contribution to the history of Chinese literary criticism.
出处
《重庆电子工程职业学院学报》
2014年第5期66-69,共4页
Journal of Chongqing College of Electronic Engineering
关键词
张爱玲
文艺观
感性
真实
Zhang Eileen
view of literature
emotion
reality