论冯至新时代诗歌人称话语之再变奏

On Variation of Person in Discourse of Feng Zhi's New Era Poetry

告别40年代对生命存在的沉思鸣唱,50年代的诗人冯至又一次来到诗艺道路的十字路口。在强大的时代潮流面前,诗人与存在主义内省的思想观念和思维方式渐行渐远,不由自主亦是心悦诚服地随波逐流,被时代之流裹挟而前。由是其诗性自我消融在时代意识和集体意识的洪流中,发不出自己的声音,从而导致艺术水平的滑坡。这一退变映射到人称话语运用上,虽然其表面形式与40年代相比并无二致,均以"我们"为核心,但其内涵实质已然发生巨变:由40年代存在主义"形而上"的言说主体沦为平庸功利的政治话语的代言人。

Bidding farewell to meditation and extolling for life in the 1940s, Feng Zhi in the 1950s once again came to the crossroad of poetry. In face of the strong of the times, he, involuntarily but willingly, followed the trend and distanced himself further from existential introspection in the ideological concept and thinking mode. Thus, his poetic self was drown in the flood of time and group consciousness, which, together with his loss of his own voice, consequently led to the decline of his poetic art due to this decline, the connotation of person, had dramatically changed, although superficially it was the same to that of 1940s in focusing on ＂the greater self＂： descending to the spokesman for mediocre and utilitarian political discourse from the ＂metaphysical＂ speaking being of existentialism in the 1940s.