曹丕《燕歌行》的断句问题与三句体诗歌——中国古代诗体研究之一

One of the Researches of the Ancient Chinese Poetry——On Punctuation and Three-line Poem in the “Song of the Yan” by Cao Pi of the Eastern Han Dynasty

曹丕的七言诗《燕歌行》,是中国古代诗歌中既继承了传统,又刚刚显露出创新意识的歌体的"遗响"。其近源来自刘邦"大风起兮云飞扬,威加海内兮归故乡,安得猛士兮守四方"《大风歌》的三句体式,其创新来自曹丕对诗体规模的扩张,也就是叠加。三句体诗歌是一种基本的诗歌体式,魏文帝曹丕的两首《燕歌行》均属三句体诗歌。在以"永明体"为先声的近体诗出现之前,中国早期诗歌有着各种自由活泼的体式,三句体诗歌普遍存在于古中国各地,而且形式多样,分布广泛。

The poem “Song of the Yan”, written by Cao Pi who was the first emperor of the state of Cao Wei in the Three Kingdoms period, has inherited the tradition of the ancient Chinese poems as well as has revealed the sense of innovation. The proximal source of the poem is from the three-line of The Wind Song written by Liu Bang. While the poem＇ s innova- tion relies on Cao Pi’s expansion of the verse scale, namely, refrain. The two poems “Song of the Yah” written by Cao Pi, are both three-line style which is the basic form of the poetry. Before the advent of Yong Ming Style as the harbinger of modern style poetry, early Chinese poetry has a variety of free and lively forms. The three-line poems were prevalent in ancient China with various forms and widely distributions.