被颠覆的“父亲”——兼及《观音会》

The Subverted “Father”——A Concurrent Discussion on Guanyin Hui(The Birthday of Avalokitesvara)

包倬的《观音会》,延续了自"五四"以来对父亲的概念式书写。自"五四"后,儿子对父亲的反抗,已经不再是亲情内部的摩擦,文学叙述中的反父亲,其实质隐含着对传统文化的反抗。倡导回归传统,首先应从还原父亲的真实形象开始。而作为年轻的书写者,应将笔触伸向生活内部,揭示出生活的痛感,这样的写作,才是写作的大道。

Bao Zhuo＇ s Guanyin Hui （ The Birthday of Avalokitesvara） has continued the conceptual portrayal of the father since the ＂May 4th＇＇ Movement. Since the ＂May 4th＂ Movement, the son＇s revolt against his father, as narrated in literature, has no longer been the family internal friction but in essence a rebellion against traditional culture. Advocating a return to tradition should start with restoring the image of the father;as a young writer, one should touch upon the internal life and uncover pains in life, which is the right approach to writing.