河湟花儿的音乐程式分析——以河州令为例

An Analysis of the Music Form of Hezhou Order of Huar

"花儿"是流传于西北甘肃、青海、宁夏、新疆等省区的一种汉语山歌。河州令是"花儿"中"河湟花儿"的一个类别,也是花儿流传最为广泛的曲令之一。程式是帕里—洛德口头程式理论中的概念,以往的论文仅是对花儿歌词进行程式分析,对其音乐中的音列、旋律、曲式和衬腔的程式未见相关论述。本文运用西方口头诗学经典帕里─洛德程式理论从音乐的角度对河州令进行分析,认为在花儿中不仅它的唱词是程式的,它的音列、旋律、曲式和衬腔也是高度程式化的。

Huar is a Chinese folk song popular in northwest Gansu province, Qinghai province, Ningxia province, Xinjiang province, and so on. Hezhou order is a kind of Hezhou Huar and also one of the most widely popular music form. Form is a concept of Parry-Lord oral form theory. Here, we used the Parry-Lord theory, which is a western classic theory of oral poetics, to make a musical analysis for the Hezhou order, with a conclusion that not only lyrics, but also tonic train, melo- dy, music form, tune are highly stylized.