摘要
重写,常常被视为一种文学现象或文学技巧而受到研究者的关注。但是,在后工业社会的当下,在现代性或后现代性成为弥散性文化背景的语境中,重写具有的哲学和美学意涵正日渐凸显。从哲学层面看,重写不仅是人的生命状态,更代表了人们对于"真"的执着探求;从美学层面看,重写则意味着一种含混的和由互文性造就的虚无的审美愉悦;从文学层面看,重写既关涉文学的本质,更是文学的表现形式。在重写成为流行文艺市场不断出现的现象的语境中,重新审视其多层面的内涵,具有重要的现实意义。
Rewriting has always been discussed as a topic of literary phenomenon or writing skill. But, in this post-industrial society, the philosophical and aesthetical meanings of rewriting are more clear. Rewriting is not just a state of life, but also stands for the seek of Truth. In the aesthetical context, rewriting means a kind of hazy and illusory delight. It also could help us to understand the nature of literature.
出处
《燕山大学学报(哲学社会科学版)》
2014年第4期84-87,共4页
Journal of Yanshan University:Philosophy and Social Science
基金
国家社会科学基金重点项目"流行文艺与主流价值观关系研究"(12AZW001)的阶段性成果
关键词
重写
现代性
互文性
怀旧
快感
rewriting
modernity
intertextuality
nostalgia
delight