摘要
莫言的代表作《丰乳肥臀》中儿童视角的情景描写蕴含了大量的陌生化现象,它使该作品表现出一种特有的文学性,达到了意外的效果。文章以俄国形式主义即陌生化理论为基础,以中英文版《丰乳肥臀》中的儿童视角情景为例,对比研究著名汉学家兼翻译家葛浩文再现文学陌生化的方法和策略。
From a child's angle, a lot of defamiliarization phenomenon is contained in scene descriptions in Mo Yan's masterpiece, Fengru Feitun, which makes this work manifest a kind of special literariness and reach a surprising effect. This paper, based on the theory of Russian Formalism namely Defamiliarization and taking the scene descriptions from a child's angle in the English and Chinese versions of Fengru Feitun as examples, does a comparison research on the approaches and strategies used by Howard Goldblatt, the famous sinologist and translator, to represent the defamiliarizations.
出处
《桂林师范高等专科学校学报》
2014年第4期148-151,156,共5页
Journal of Guilin Normal College
关键词
莫言
《丰乳肥臀》
情景描写
陌生化
儿童视角
方法策略
Mo Yan
Fengru Feitun
scene descriptions~ defamiliarization~ a child's angle~ approaches and strategies