诸葛亮的木牛流马文化——立足于唐宋诗词的考察

Zhuge Liang's Wooden Ox Culture——Based on the Observation of Tang and Song poetry

木牛流马是诸葛亮智慧文化的重要组成部分,是诸葛亮北伐功业的标志之一,是其"名垂宇宙"的文化符号之一。唐宋诗人常常将"木牛流马"与"八阵图"视为诸葛亮智慧的象征和最伟大的发明。唐宋诗人在描写木牛流马时也是常常与诸葛亮北伐联系在一起。唐宋诗人不仅将木牛流马看作是诸葛亮的杰出智慧,更将其作为诸葛亮坚守信念、统一天下的文化符号,"看木牛流马,恢复神州"。诸葛亮木牛流马对唐宋以后的中国文人也产生了深远的影响,"名士临戎驾木牛",进一步强化了诸葛亮在文学作品中的智慧形象。

The Wooden Ox is an important part of culture of Zhuge Liang＇s wisdom, is one of the logos of his Northern Expedition achievements, and is one of the cultural symbols for his “ever - lasting reputation”. The poets in the Tang and Song Dynasties often regarded the “Wooden Ox” and the “Eight Battle Formation” as a symbol of Zhuge Liang＇s wisdom and one of the greatest inventions, and they almost never talked about his Northern Expedi- tion without mentioning about the “Wooden Ox”. Besides, they also considered the “Wooden Ox” as the cultural sign of his firm faith for the unification of the whole country; for instance, a line reads“To see how to unify the country with help of the Wooden Ox. ” Zhuge Liang＇s Wooden Ox also had a profound impact upon the Chinese lite- rati after the Tang and Song Dynasties, leaving such an expression： “The celebrity drove the Wooden Ox as the carrier of supplies in the battle fields”, and has further strengthened his image as a man with great wisdom in liter- ary works.