中国小妞电影对都市女性身份建构的影响研究初探——以《失恋33天》为例

A Study on the Influence by China's Chick Flicks on the Identity Construction of Urban Women: Taking the Film Love is Not Blind for Example

女性主义认为"女性是被形成、被构建的",而在参与女性构建的多种因素中,因社会的现代化而跃居显要位置的电影逐渐进入了女性研究的理论视野。在女性群体中,都市女性则占据着女性话语的顶层,并首当其冲地受到女性研究者的多方探究。而以都市女性为目标受众的"小妞电影"因受到强烈欢迎而成为研究都市女性身份建构的绝佳文本。以《失恋33天》为例,对中国小妞电影对都市女性在身份建构过程中所产生的影响进行初步探究,可为后续的同类型研究提供最初的参考。

In feminist theory, women are formed and constructed. Among the factors which influence women＇ s identity construction, the film has become a significant one in the theories of feminism because of social modernization. And urban women play a significant and prominent role in female discourses and attract more attention of the researchers on feminism. The chick flick has become one of the best research objects in the identity construction of urban women, because it takes urban women as the target audience and is warmly wel- comed by them. It has a great impact on urban women in several aspects and builds the new images of them to some extent. Taking the example of the film Love is Not Blind, this thesis tries to study the influence by China＇ s chick flicks of the identity construction of urban women, which might do some favors for the further study on this issue.