从陶渊明《闲情赋》探析赋体的审美特质

On the Aesthetic Features in the Works—Leisure Fu by Tao Yuanming

陶渊明的《闲情赋》是一篇非常奇特的赋作,无论其主题内容、表现手法,还是艺术结构、艺术风格,都与多数人印象中的陶渊明迥然有别。学界对该赋主题的理解一直众说纷纭,没有形成统一的意见。本文以为,《闲情赋》恰恰典型地展现了汉赋以来,赋体表现艺术上一贯的本质特征,即似讽似劝,亦讽亦劝,劝大于讽,呈现出"舛互式"的美学特质。《闲情赋》主题的多重性和矛盾性,正是赋家矛盾心态的形象展示。

Leisure Fu of Tao Yuanming is very individual. Its subject content,expression technique,art structure and artistic style are all unconventional. There are always several different explanations for its theme. Leisure Fu reflects common features of the fu-style since the Han Fu. The common features of the fu-style are as ironic as advised. The theme of the fu-style is multiple and contradictory with reflects the contradictory mind state of Fu writers.