康有为书法观念对梁启超之影响考辨

A Study on Kang Youwei's Calligraphy Concept Influence on Liang Qichao

梁启超早年的书法观念主要体现在对颜、柳楷书的取舍以及对陶心云碑体楷书的认同等方面。在师从康有为之后,梁启超的书法观念深受其师的影响,尤其体现在对干禄书体的态度、学书当"上通篆、隶,导源六朝"以及"体兼碑帖"等方面。梁氏于书法一途既汲取康氏书论中的合理因素,又不为康氏的观点遮蔽望眼。从对梁启超书法观念之转变的剖析中,亦可折射出清末民初时期知识分子对于书法的不同体认。

Being teacher and student, KangYouwei and Liang Qichao, as two famous politicians and ideologists in modern China, made great achievements at the late Qing Dynasty and the early Republic of China. Although their calligraphy looks different, their calligraphy concepts based on same historical background had something in common, and represented different views to Kai of Tang Dynasty and calligraphy function. The change of Liang Qichao's calligraphy concept was deeply inf luenced by KangY ouwei which mainly embodied mastering Zhuan and Li, originating from Six Dynasties Period, and comprehensively showing Bei and Tie. Liang Qichao's calligraphy absorbed reasonable aspects of Kang's, instead of being bound by his concepts. The study on the change of Liang Qichao's calligraphy concepts could ref lect the change of eras and different realization of the intelligentsia at the late Qing Dynasty and the early Republic of China.