摘要
"深""浅"作为古典风格论中重要的对待概念,在古代文论发展史上,因时代变迁、文体差异而呈现出尚深、尚浅及追求深浅合度等多种理论形态,在对待立义思维的影响和制约下,其与厚薄、浓淡、老嫩等对待概念互通互渗,在相反相待的动态平衡中共同构成了古典风格论的话语形态及价值追求。
Profundity and Shallowness are two important opposite categories in Classical literary theory. The two categories take the forms of rather profundity or rather shallowness or the appropriateness between rather profundity and rather shallowness in the history of Chinese literary criticism due to times changes and genre differences. Influenced and restricted by the concept of opposite sense origination, the two categories are mutually infiltrated and communicated with such categories as thickness &thinness, denseness&lightness, old&young. They together form a discoursal feature and aesthetic value of classical literary theory.
出处
《宁波大学学报(人文科学版)》
2015年第1期6-10,共5页
Journal of Ningbo University:Liberal Arts Edition
基金
宁波大学人才工程项目(ZX2012000035)
宁波大学学科项目(xkw1309)
关键词
对待立义
深与浅
中和
an opposite sense origination profundity&shallowness balance out