荒野审美意识的逻辑发展

Logic Developments of the Aesthetic Consciousness of Wilderness

荒野审美意识从自然审美意识中剥离出来并孕育成熟,经历了漫长的发展过程。人类对荒野的审美欣赏源于古代。中国古代山水诗和山水画的艺术实践活动,物感说和"江山之助"的理论总结,在自然审美中包含着荒野审美的丰富内容。西方工业革命带来人与自然审美关系的重要新变,就是自觉的同时伴有感伤和怀旧色彩的荒野审美意识开始萌生。19世纪浪漫主义文艺创作及其美学总结成为荒野审美意识的直接理论来源。20世纪的大地伦理学、非人类中心环境伦理学、肯定美学等,推动了荒野审美意识理论建构的逐步完善。荒野审美意识研究是推动中国当代美学向前发展的重要理论生长点,对于我们更为诗意地栖居于中华大地具有强烈的现实针对性。

Aesthetic consciousness of wilderness eventually turned independent from aesthetics consciousness of nature and became more mature after a long process.Human beings began to appreciate wilderness in the ancient times.In ancient China,mountain-water poetry,mountain-water painting,the theory of heart-object reaction,and the theory about the help of nature in literature creation all contained abundant contents of aesthetic appreciation of wilderness.As a result of western industrial revolution,some new important aspects of aesthetic relationship between human and nature changed.Aesthetic self-consciousness of wilderness with sorrowful and nostalgic feelings has been conceived.By the 19 century some artworks of romanticism and relevant aesthetic theory became direct theoretical sources of aesthetic consciousness of wilderness.In the 20th-century land ethic,non-anthropocentric environmental ethics,positive aesthetics and so on gradually complete aesthetic consciousness of wilderness,which is an important growing point for the development of Chinese aesthetics at the present.