中老跨界民族音乐概观——以苗-赫蒙、克木人(族)为例

An Overview of Traditional Music of China and Laos Cross-border Ethnic Groups:Exemplified by Two Case Studies of Hmong and Khmu

老挝国内的族群复杂,虽然处于主体地位的佬泰族群的民间音乐受泰国民间音乐的影响颇深,但是拥有众多中老跨界民族的苗瑶等族群仍然保留着固有的民族音乐特色。从具备跨界民族的音乐研究意义的角度来看,中老跨界民族涉及10组对应关系。通过已有的中国、老挝和其他国家三方面的中老跨界民族音乐资料之间的关联比照,可以得出苗-赫蒙和克木人(族)等中老跨界民族音乐在中、老两国境内仍然保留着同根同源的音乐文化特征,但同时也出现了相异的变化。中老跨界民族音乐的研究进一步拓展了中国少数民族音乐文化的研究。

In the various Laos ethnic groups, although the ethnic majority’s folk music is influenced by Thailand folk music deeply, the cross-border ethnic groups between China and Laos, like Miao and Yao, are still reserve their traditional music features. Ten pairs of the cross-border ethnic groups between China and Laos ought to be studied on their traditional music relationship. After comparing and analyzing the existing related research results from China, Laos and international, it is revealed that the cross-border ethnic groups between China and Laos, including Hmong and Khmu, still have the same musical features, yet on the other hand have developed different musical transformation. These findings expand the research of Chinese ethnic minority music.