摘要
文学地理学成为一种独立的批评方法是在20世纪中期的法国,目前国内的文学地理学研究大多集中于对中国文学的研究中,在外国文学的研究领域仍方兴未艾。邹建军、胡朝霞带领其学术团队编写的《文学地理学视野下的易卜生诗歌研究》将人类学、地理学、历史学、考古学、生态伦理学等学科纳入文学地理学的批评视野,推动了文学地理学在外国文学研究中的应用,尤其在地理意象的塑形作用、诗歌复杂性的多重解读以及对易卜生其人其文的新发现三个方面,为易卜生“诗”与“戏”的研究打开了新维度。
Literary geography became a unique criticism method in the middle of last century in France, whereas in China literary geography is used mainly in Chinese Literature study and in the field of foreign literature study is still growing. Zhou Jianjun and Hu Haixia, with their academic team, compile the book Ibsen's Poetic Study from the Literary Geological Perspective, which brings anthropology, geography, history, archaeology, and ecological ethics into the literary geographical perspective, and promotes its application to foreign literature study. It expands new dimension for the study of Ibsen' s poems and dramas in three aspects : the function of the geographical image, the multiple explanation of the complexity of his poems and the fresh discoveries of Ibsen and his writing.
关键词
文学地理学
易卜生
初航
literary geography
Ibsen
maiden voyage