当代中国油画的无表情情结

The Expressionless Complex in Contemporary Chinese Oil Paintings

中国当代油画中无表情的呈现深刻演绎着语言的延伸性及其巨大的纳构力,是艺术家自我心象的产物。通过对这一现象的梳理,可以归纳三种情态的表情并以此视角透析中国当代艺术家的创作理念和个性思维。根据荣格的情结论可以发现这一现象的原型基础是反映中国特有的精神文化下的生命状态,"无表情"的核心始终于意象的体现。

The presentation of expressionless in the contemporary Chinese oil paintings, deeply deducing extension of the language and its huge structure force, is a product of an artist＇ s self- mental image. From analysis of the phenomenon, there can be summarized three types of modal expressions and by which we can see the creative ideas and the individual thinking of the contemporary Chinese artists. According to the Carl Gustav Jung＇ s affection conclusions, we can see that the based prototype of phenomenon is the state of life reflecting the Chinese culture and spirit. The core of the expression- less showed in embodiment of the image.