摘要
门神观念是我国传统民俗观念之一,其产生与早期人们对门户的认识与理解相关。门户不仅是建筑实体,且具有多重社会文化意义,具有内涵的丰富性和形式的多样性。出于装点、神秘化门户的需要,门画这种艺术形式得以出现并传承至今,成为当代一类历史文化的活化石。
The concept of Door-god is one of the traditional folk ideas in our country, and its being is directly related to the early people' s awareness and understanding to the door. The door is not only a kind of architecture entity, but also it has a variety of social and cultural meanings. So the door has a rich connotations and a diversity of forms. In order to decorate and mystify the door, door-painting acting as a form of traditional art appeared and had been passed to today. Door-painting should been regarded as the living fossil of our history and culture.
出处
《河南教育学院学报(哲学社会科学版)》
2014年第6期15-19,共5页
Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
基金
2013年国家社科基金重大项目"大遗址与河洛三代都城文明研究"(13&ZD100)
关键词
门户
门神
门画
关系
the door
the Door-god
the Door-painting
relations