反思与弃绝:“保钓”视野下唐文标的现代诗创作

Reflection and Rejection: Tang Wenbiao's Modern Poetry Creation When Viewed from the Perspective of the Diaoyu Islands Defense Movement

唐文标早年颇具现代色彩的新诗创作中,就已潜藏着对现代主义抽象的超越、救赎精神的疑虑反思,并隐约可见现实关切、社会实践等思想特质,这为其后来参与"保钓"等左翼实践并最终与现代诗彻底决裂,埋下了思想的种子。在经受20世纪60年代后期欧美社会运动和"保钓"运动洗礼后,他将左翼的精神和理想带至台湾,其对现代诗的发难重新激起台湾思想文化上的左翼现实批判精神。因此,联系唐文标早期的现代诗创作活动,全面考察其左翼文学思想的发展历程,才能更深入把握左翼革命理想中激荡的种种对现实、历史、民族的深切寄托。

Tang Wenbiao’s early poetry creation characterized by modern color has already concealed some ideological characteristics such as the overstepping of modernist abstract, the suspicious reflection on redemptive spirit and the looming concern about reality and social practice etc, which help plant the ideological seeds for his later participation in the“Defense of Diaoyu Islands” and other left-wing practice and his final clean break with modern poetry. Having gone through the test of the late 60’s American social movement and the“Defense of Diaoyu Islands” movement, Tang Wenbiao brought the left-wing spirit and ideal to Taiwan and his attack on modern poetry provoked again the spirit of the left-wing realistic criticism. Therefore, we should take into consideration his early activities of modern poetry creation and make a comprehensive study of the development course of his left-wing literature thought. Only in this way can we deepen our understanding of all kinds of the realistic, histori-cal and national sustenance found in his left-wing revolutionary ideal.