贝多芬《^bE大调钢琴奏鸣曲》（Op．31－3）的隐性叙事

On the Implicit Narrative of Beethoven Piano Sonata no.18 in E flat Major,Op.31,no.3

文章从音乐叙事学和音乐修辞学的理论出发,从"显在叙事层"、"潜在叙事层"和"意象叙事层"三个层面入手,将贝多芬的这部奏鸣曲置于音乐体裁和音乐史学研究的背景之下,旁及音乐织体写作、音乐记谱的相关内容,对其中特殊的修辞所体现出的叙事内涵做出了解读。

Starting from the theory of musical narratology and musical rhetoric, this article discussed this sonata of Beethoven on three levels of “layer of evident narration” , “layer of latent narration” and “layer of image narrative” , under the background of researching music genres and musical historiography, related to the content Of musical texture writing and notation, interpreted the narrative connotation embodied by special rhet- oric in it.