音腔记谱法——中国传统音乐记谱理论新探

The Notation of Yin Qiang(Tune Trope)——New Explore on Notation Theory of Chinese Traditional Music

西方民族音乐学在记谱理论方面的成果颇丰,这对于解决我国传统音乐"文本化"过程中遇到的记录难题具有较大的启发意义。文章从西方民族音乐学记谱理论的梳理、提炼出发,结合我国以简谱与五线谱作为记录音乐的方式所产生的乐谱文本与音乐音响距离较远的问题,提出了具有个性的、适合中国音乐"音腔"特点的记谱方式。

There were fruitful results on the theory of notation in the Western ethnomusicology, and this was a larger significance for inspiration to solve the problem of record during the process of “textuality” in Chi- nese traditional music. Starting from the sorting out with extracting and purifying the theory of notation in the Western ethnomusicology, combined with the issue of bigger different between the music score and real music sounding caused by mode of record music with numbered musical notation and stave in China, this paper pres- ented the notation method with individual and suitable for the feature ofyin qiang （ tune trope） of Chinese mu- sic.