摘要
该文以音程循环可构成八声音阶或六声音阶为理论依据,以一个音数可拆分成一大一小或一小一大的音程比进行循环能产生不同的音高组合为切入点,来构建音数0-6及其补集所产生的全部复合音程循环。复合音程循环在作品的创作运用中表现出分割、共同音级转调、转换以及有机发展等技术化特征,这些手法一起对音乐作品结构力的产生起到重要的作用。循环技术本身具有方法论意义,以复合音程循环的视角对作品进行分析也能得到一些新的启示。
This article is based on the theory that interval cycle can compose Octatonic scale or Hexatonic scale. One interval can split into one large and one small or one small and one large interval ratio to cycle, which can produce different pitch collections. As this starting point, the article tries to construct all compound interval cycles produced by interval 0 - 6 and its complement. In the creation of musical works, compound in- terval cycles displays several technology-oriented approaches such as partition, common pitch classes modula- tion, transformation and organic development. These techniques play important roles on the production of mu- sical works' structural power. Cycle technique has methodological significance by itself. It can get some new inspiration by analyzing musical works with perspective in compound interval cycles.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2014年第4期104-116,共13页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
复合音程循环
音程比
组合形态
结构力
音乐分析
compound interval cycles
interval ratio
combination form
structural power
music analy- sis