摘要
聂耳是我国近现代音乐史上非常重要的一位音乐家,但是,对于其作曲家这个具体称谓,却一直存在着较大的争议,王西麟先生就多次撰文表示聂耳不是作曲家。此言论有失公允,笔者通过深入剖析王先生的言论,认为聂耳少有器乐曲创作,以及非学院派出身等都不能成为将其排除在作曲家群体之外的理由。
Nie Er was a very important musician in Chinese modem history of music, however, there has been disputed about his title of composer, and Mr. Wang Xilin wrote numbers of articles to say that Nie Er not being a composer. The writer thought this statement has been unfair, and through in-depth analysis of Wangg saying, the author held that it could not be a reason to exclude Nie Er from the composer groups even him rare created instrumental music, and have not studied in music institute.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2014年第4期158-164,共7页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
聂耳
王西麟
作曲家
音乐体裁
商榷
Nie Er (1912~ 1935)
Wang Xilin (1936~)
musician
music genres
discuss