论男中音在歌剧中的戏剧表现——以徐占海三部歌剧中男中音演唱的咏叹调为例

On the Dramatic Expression of Baritone in Operas

一部歌剧的完美呈现,一定程度上取决于歌唱家成功的二度创造。笔者认为,深刻领会咏叹调在戏剧中的结构地位、戏剧张力是唱好咏叹调的关键所在。文章以徐占海三部歌剧中男中音演唱的咏叹调为研究对象,根据男中音在不同歌剧中的角色定位来论述二度创作中的戏剧表现。

To some extent that the perfect performance of an opera depended on the singer＇s second crea- tion successfully. The author held that the key to singing an aria well should be deeply understood the structur- al position of the aria in opera as well as its dramatic tension. This paper discussed the baritone arias in Xu Zhanhai＇s three operas with their roles definition in different operas to analysis dramatic expression in second creation.