摘要
《阵痛》和《很久以来》都讲述着女性在大时代浪潮中的命运故事,情节化叙事、反情节化叙事和参差对照的方法,相应地成为它们的叙事策略,这与创作者的个人经验和历史意识密切相关。而将社会历史悲剧写成性别悲剧和命运悲剧,则是它们的困境。
Zhen Tong and Hen Jiu Yi Lai all tell stories of female fate in the great era. Poh narrative, anti - polt narrative and uneven contrast aeeordingly become their narrative strategy, which is closely related to the ereator's personal experience and the historical consciousness. However, they all concert the social history tragedy into gender tragedy and fate tragedy , which is their dilemma.
出处
《广播电视大学学报(哲学社会科学版)》
2014年第4期46-51,61,共7页
Journal of Radio & TV University(Philosophy & Social Sciences)
关键词
女性命运
历史书写
困境
Female fate
Historical writing
Dilemma