反抗与疏离:论建国后老舍的创作及思想转变(1958—1966)

Resistance and Alienation: a Discuss of the Creative and Ideological Transformation of Lao She after the founding of New China(1958—1966)

老舍是中国20世纪的伟大作家之一,但从目前的研究状况来看,涉及老舍建国后创作及思想转变的文章却相对较少。从话语范型转变的角度出发,结合老舍的创作和当时具体的社会历史背景,认为他在建国之后与革命话语范型的关系可以较为清晰地划分为认同、反抗与疏离三个阶段。其中,从1950至1957年,是老舍对革命话语范型的自觉认同阶段;从1958年至1962年,是老舍对革命话语范型的不自觉反抗阶段,也即老舍的创作与思想对革命话语范型开始质疑,进入一种文化意义上的"审父"阶段;从1963至1966年,是老舍对革命话语范型的疏离阶段,并开始对古典话语范型趋同,表现出一种文化上的"恋母"倾向。

Lao She is one of the greatest writers in the 20th century in China, There are many of his works and life course research. But in view of the present state of research, the articles of his creative and ideological transformation are rarely after the founding of New China. From the angle of discourse paradigm shift, combined with his creativity and historical background, the relationship between he and the revolutionary discourse paradigm can be divided into three stages. Which, from 1950 to 1957, is the recognition period to the paradigm of revolutionary discourse ; from 1958 to 1962, is the revolt stage to the paradigm of revolutionary discourse, into the ＂Examination of Father＂ stage; from 1963 to 1966, he alienated from the revolutionary discourse paradigm, showed the tendency of ＂ Oedipus＂.