环境美学视域下的黔阳古城“居住”解读

A“Wohnen”Interpretation of QianYang Ancient City from the perspective of Environmental Aesthetics

环境美学的基本问题是人与自然的关系问题。然对于人具有两种意义:一是资源,二是家园。环境就其本质来说,是人的家园,是生命之本,更是居住之所。在环境美学的视域中,黔阳与人类的"居住"本质,在大地上最为原初的居住之思息息相关。黔阳作为古老的,"曾在的"居住来阐明居住如何才能够建造。"居住"比"筑造/建筑"更为本源,筑造/建筑是为了居住,但居住不是一般意义上的居住,而是"诗意地居住",与人们的居住所依靠的一切建筑物有关。居住的本质是自然环境的完美性与人居环境的完美性是统一的。

The basic issue in Environmental aesthetics is the relationship between human and nature. However,nature has two kinds of meaning for human being：that it matters as the resource and as Homeland for human life.The essence of Environment lies in the fact that it offers for a human being the homeland,the soul of life,and a place of living.From the perspective of environmental aesthetics,old city of QianYang is closely linked with human being as the embodiment of the essence of a“Wohnen”,and of the most Primordial thought of living on the earth.QianYang, as the ever-living part of homing,is the right place to il ustrate how to live and how to build a“wohnen”. A“Wohnen”is more fountainhead than a“Buan”,which is just for living,while a“Wohnen”is much more original and over-general that refers to“Poetic Habitation”and relates people with every part of the buildings as a whole.So,the essence of“Wohnen”is a Perfect Unity of the aesthetics of natural environment and human living environment.