摘要
陈三立在光绪二十七年(1901)之前的诗歌写作,可视为他诗歌写作的早期。同为长沙时期(1877 1889),最初二三年里,陈三立的诗歌写作更近"唐音";从《诗录》收诗的光绪六年(1880)起,此后几近十年间,陈三立在长沙追随王闿运,摹写汉魏六朝,尤其重视向晋宋诗人学习。进入武昌时期之后(18901895),即《诗录》收诗的最后五年,陈三立在张之洞、梁鼎芬等师友的影响下,转向对唐宋大家杜、韩、苏、黄等人的学习,呈现出"宋调"的风貌。此一转变,契合了陈三立的性情与才学,并得到黄遵宪的肯定。
Chen Sanli's poems written before 1901 can be regarded as his early poetry works.When he stayed in Changsha from 1877 to 1889,Chen's poems were closer to the'rhyme of the Tang Dynasty'in the first two or three years;during the next decade from 1880,the starting year of A Poetry Record,Chen Sanli followed Wang Kaiyun,and began to imitate the style of the Han,Wei,and the Six Dynasties,especially learning from the JinSong poets.From 1890 to 1895,while he lived in Wuchang,i.e.the last five years of A Poetry Recordcollecting,Chen studied and emulated the masters Du Fu,Han Yu,Su Shi,Huang Tingjian etc.of the Tang and Song Dynasties under the influence of Zhang Zhidong,Liang Dingfen and other teachers and friends,thus his poets began to show the'tone of the Song Dynasty'.This change accorded with Chen Sanli's disposition and talent,thus he gained appreciation of Huang Zunxian.
出处
《文史哲》
CSSCI
北大核心
2015年第1期48-68,165-166,共21页
Literature,History,and Philosophy
基金
山东大学自主创新基金项目“陈三立与晚清民初古典诗坛”(IFW12080)的阶段性成果