摘要
与全球化的新媒体语境相关联的微时代,带来了文化生态与审美风尚的变化。其以日常、感性、快餐、娱乐等为指征的消费效益原则,冲击了以优雅、崇高、规范、秩序等为核心的经典美感风尚。以小生活、小人物、小情致等为代表的微风尚,不仅解放、丰富、冲击着我们固有的感性能力、审美情致、生活样态,也尖锐地展示了现实与理想、物质与精神、技术与价值、艺术与生活之间的新的关联域。唯此,在微时代,批判传承生活艺术化的中西传统,反思陶铸适应新的时代需要的艺术审美品格与人生审美精神,抑或是抵御与超越美为生活吞噬、艺术为生存消解、人消费自我的可能困局的一种人文路径。
Micro era closely related to new media context in globalization brings about changes in cultural ecology and aesthetic fashion. It takes everyday,sensation,snack,and entertainment as the consumption effectiveness principle,which exerts a certain impact upon classical aesthetic fashion advocating elegance,sublime,norm,and order. Micro fashion of ordinary life,ordinary people,and individual interest not only liberates and enriches our intrinsic sensation ability,aesthetic taste,and living style,but also acutely presents new correlated filed between reality and ideal,material and spirit,technology and value,and art and life. To critically inherit Chinese and western tradition of aestheticization of daily life,to introspect and to adapt ourselves in new era needs aesthetic quality and living aesthetic spirit,and this is a humanistic means.
出处
《艺术百家》
CSSCI
北大核心
2014年第6期72-75,共4页
Hundred Schools In Arts
基金
2013年度浙江省高校重大人文社科攻关计划重点规划项目"中国现代人生论美学的民族资源与学理传统研究"(项目编号:2013GH013)阶段性成果之一
关键词
审美文化
微时代
审美风尚
生活艺术化
人文路径
批判传承
Micro Era
Aesthetic Fashion
Aestheticization of Daily Life
Humanistic Means
Critical Inheriting