摘要
文章通过对南京师范大学美术学院珍藏的现代中国油画史开创者吕斯百先生作品的细心分析,和对法国近代象征主义画家夏凡纳等人油画作品的技法比较,追溯了当时我国留法画家吕斯百、常书鸿等人在油画技法上的源头。这有助于对这些画家作品的准确分析和我们后人的学习借鉴。
Through an attentive analysis of the inaugurator of modern oil painting history Lv Sibai’s works treasured by the school of fine arts in Nanjing Normal University,and a comparison between his and modern French symbolism painter,Puvis de Chavannes’ s technique,this paper searches for the source of painters studying in France such as Lv Sibai and Chang Shuhong’s oil painting techniques. And this accurate analysis of such painters’ works could help us later generations to study.
出处
《艺术百家》
CSSCI
北大核心
2014年第6期152-160,共9页
Hundred Schools In Arts
基金
2008年度国家社会科学基金艺术学一般项目"欧洲油画色彩理论与实践"(项目编号:08BF38)阶段性成果之一
关键词
吕斯百
油画创作
艺术作品
夏凡纳
常书鸿
油画技法
溯源
Lv Sibai
Puvis de Chavannes
Chang Shuhong
Oil Painting Technique
Trace to the Source