摘要
诗学象似性是文学的特质,具有本质上的审美性、过程上的整合性和机制上的隐喻性。诗学象似性的多模态表征创造出新的文学阅读和审美体验模式,调用读者的多个感官,甚至会诱发读者的身体动作,令其得以在真实和虚拟、身体和认知之间的界面上感受文学艺术的审美效果,体悟文学世界的喜怒哀乐。
On the delineation of the defining features of poetic iconicity,an approach of multimodal cognitive poetics is adopted for the exploration of the multimodal representation of poetic iconicity and its aesthetic effects on readers as well in a manner of exemplification on specific multimodal texts. Poetic iconicity,as a distinguishing feature of literature,is identified for aesthetics in nature,integration in processing,metaphoricity in mechanism. The multimodal representation of poetic iconicity creates a new literary reading and experiencing mode by triggering multi-sensory perception,even reader’s physical movement,rendering a semblance of experienced true emotions or sensations as well as a surprising aesthetic impact on readers who are experiencing the aesthetic iconicity on the interface of reality and fictionality,and of body and cognition.
出处
《外国语文》
北大核心
2014年第6期14-18,共5页
Foreign Languages and Literature
基金
教育部人文社会科学研究规划基金项目"叙事‘语篇视角’的认知诗学研究"(13YJA740082)
关键词
诗学象似性
多模态
认知诗学
poetic iconicity
multimodality
cognitive poetics