摘要
在卡夫卡的小说中,动物主人公一如卡夫卡自己的生存姿态,它们渺小无助,四处躲藏,惶惶不可终日。卡夫卡像小动物那样远离嘈杂的人群,逃避这个世界可能给与他的种种伤害。从自我保全的态度和方式看,卡夫卡的动物小说显然具有一种原始主义思维倾向。他渴望在繁杂的工作之余,在强大的父权之外,去寻找本真的自我,而动物题材乃是他达到这一目的的最佳选择。如果从情感角度观察卡夫卡的动物题材,就会发现他的动物小说具有一种十分突出的原始情感意向,存在着人类动物情感的某种原始性。
Animals, always being a main topic in Kafka' s novels, are always depicted as small, helpless, panic - stricken social beings who always seek hiding places just as the writer does. Kafka, like animals pictured in novels, tries to stay away from human hurly - burly to avoid possible injuries. From the attitude and the way of his self - protection, Kafka' s animal subject stories show an inclination towards primitivism. Yearning to break the strong fetter of fatherly authority, he resorts to quest for his true self after the busy daily work, which comes as the best choice. From the emotional perspective toward Kafka' s animal - related novels, we may discover that his novels show a prominent primitive inclination, an original form of human feelings for animals.
出处
《榆林学院学报》
2015年第1期86-90,共5页
Journal of Yulin University
基金
陕西省教育厅专项科研计划项目"卡夫卡创作的文学人类学研究"(项目编号12JK0273)